FROM NOWHERE | A SHORT FILM BY SHOMIK BASURAY


FROM NOWHERE
FROM NOWHERE | TEASER
Shot on Real Locations | Non Actors | Fiction Short Film
Genre: Drama
Run Time: 14.51mins
Aspect Ratio: 1:2.35
Sound Format: 5.1 stereo
Camera: Sony FX9
Language: Hakka, English, Bengali, Hindi
Subtitles: English
LOG LINE
Henry, a carefree young man from Kolkata’s fast disappearing Chinese community is devastated upon learning that his girlfriend Hillary, has decided to migrate out of India, and is forced to question his identity and life choices.
FROM NOWHERE | TRAILER

A "Hakka" language film which captures the conflicts and experiences of the tiny Hakka Chinese community of India.
SYNOPSIS
A dinner date spirals into an unexpected break up, when Henry, a carefree young man from Kolkata’s fast disappearing ethnic Hakka Chinese minority, learns that his girlfriend Hillary, like many others in the community, has decided to migrate to Canada.
Henry’s attempts to brush issues under the carpet, his persistent refusal to acknowledge the economic and social marginalisation faced by the Chinese frustrate Hillary and force her to take this painful decision.
Reluctant to leave the city of his birth, the only place with which he feels an emotional connection, yet where he feels like an outsider, Henry is at a crossroads.
Devastated and confused he is forced to do some soul searching regarding his identity and roots.
A mentor reminds Henry of the nomadic nature of the Hakka people, and counsels Henry to be pragmatic and go where his fortune takes him.
Just as he witnesses a group of aggressive right wing Hindu youth biking through the streets, chanting militant slogans, a chance encounter with a friend at a late night tea stall helps Henry achieve closure in his mind.
DIRECTOR'S NOTE
From Nowhere is an ambitious film, an honest portrayal of issues confronting the vibrant yet fast disappearing Chinese community of Kolkata.
I have always been fascinated with uncovering stories and studying the experiences of small minority communities, and especially those that are so minuscule that they are almost invisible.
In the current political climate of loud majoritarian politics, the experiences of a micro community like the Chinese, who are visibly identifiable as not belonging to the majority community was of particular importance to me.
A combination of many factors including a complicated relationship with the Indian Government, the politics of nationalism and xenophobia, failure to adapt to a changing economy and integrate into the economic mainstream, closure of small family run businesses, the allure of a cushier life in the west, have all contributed to a steady exodus from Kolkata.
For Chinese youth, there is a peculiar sense of alienation and rootlessness that is their reality. Kolkata is the city of their birth, the only place they call home, the city they love yet one where they still feel like outsiders at some level. At the same time, while they try to preserve vestiges of the Chinese identity, they lack any meaningful connections with the land of their ancestors.
This feeling of alienation and rootlessness is at the core of “From Nowhere.”
The sadness of wanting to belong to a place where you will always feel like an outsider.
This film is an examination of identity, of a desire to belong to a place and a community, of wanting to find a human connection which is beyond the narrow definitions of religion, race and ethnicity.






































